Robin had another embarrassing moment to offer. But with four main characters to showcase, a Seinfeld episode needs several stories going at the same time. He proposed an episode in which Jerry goes through similar angst after a bad haircut.ĭavid and Seinfeld liked the idea. “It was like breaking up with your lover,” he says. Andy Robin, 24, a former Saturday Night Live writer who joined the Seinfeld staff this season, remembered the anxiety he felt about switching barbers, from the old man who had cut his hair for years to a younger barber in the same shop. The Barber, like most Seinfeld episodes, expanded from a writer’s real-life experience. Says David: “I like something tiny that just expands.”
Seinfeld the master of my domain episode tv#
A Seinfeld premise is different from that of most other TV comedies instead of a generic sitcom “problem” (Murphy’s mother comes to visit Roseanne hates Darlene’s new boyfriend), Seinfeld typically starts with a small, recognizable life moment that causes outsize anguish. THE SEED: “The hardest part of this show is coming up with the ideas,” says David. Early last month, they gave TIME an inside glimpse of how they bring a Seinfeld episode to fruition. It is, moreover, the product of two distinct but oddly congruent comic personalities: David, 46, a dour ex-stand-up comic and writer (he appeared in ABC’s failed late-night show Fridays and spent one season writing for Saturday Night Live, where only one of his sketches ever aired), and Seinfeld, 39, a star who is just as active behind the scenes. In reality, the show is more densely textured, elaborately plotted and psychologically astute than any other comedy on TV. It’s that rarity - intelligent comedy that is funny enough for everybody.Īccording to the popular wisdom, Seinfeld is a show about “nothing.” Episodes are spun out of small, everyday trials and tribulations - looking for a parking spot, wearing a funny-looking shirt, trying not to masturbate (last season’s Emmy-winning episode The Contest, in which the characters competed to be “master of your domain”). Against all odds, this hip, insider sitcom about a comedian (Seinfeld playing Seinfeld) and his three Manhattan friends has expanded its appeal beyond a core audience of yuppie tastemakers.
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This fall, without Cheers’ help, it’s in the Top 5. Last winter, moved to a Thursday-night time slot following Cheers, the show vaulted into the Nielsen Top 10. Now in its fifth season on NBC, Seinfeld is in its glory days.
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Yet they seem unfazed on the Seinfeld show, scrambling to keep up is business as usual. After lunch the two will repair to the Seinfeld offices on the Studio City lot across the street to rewrite this week’s script - a script that is already late and getting later. Sounds like material for a couple of Seinfeld episodes right there, but on this particular day, more pressing work is at hand. “And I walk around wondering who’s hating me this particular day.”
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That’s how he keeps his friends.” “All my friends are comedians.
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Jerry is just the opposite, says David: “He has no obligatory phone calls. It’s like a museum of cars that are maintained for hundreds of years beyond their useful life.” After a woman who once worked with David stops by to say hello, Seinfeld comments, “He has more friends, older friends, than anybody I know. Seinfeld and David are old friends from stand-up-comedy days, and their lunchtime banter has a comfortable, genuinely amused air.